If you drive deep into Eastern North Carolina, there is a
small town in Bladen County named White Lake. Less than 1,000 people make it
their permanent residence, but during the summer the campgrounds around the
lake swell with folks who own little trailers that become their unofficial
summer residences. Once the sun sets, you are liable to find more golf carts on
the roads than cars, as people drive house to house looking the next keg party
or pig pickin’.
These images are what first came to mind upon viewing
Academy Award winning screenwriters (The
Descendants) and first time directors Nat Faxon and Jim Rash’s The
Way, Way Back. Set during a summer seemingly made to be 14-year-old
Duncan’s personal hell, he finds himself trapped on vacation in a spot much
like what I described above with his mom Pam (Toni Collette), her boyfriend
(Steve Carell), and his teenage daughter. The evenings are packed with
neighborhood parties and cookouts, and the days spent surrounded by teenagers
he could not be less like. Every family outing becomes a journey into
embarrassment for Duncan until he meets the manager of a run-down water park,
Owen (Sam Rockwell), who takes the kid under his wing and somehow manages to
coax him out of his introverted shell.
Many have lauded the comedy-drama since its premiere at the
2013 Sundance Film Festival, but I was nowhere near prepared for what I found
when I walked into the screening a couple of weeks ago. Expecting something
along the feel-good lines of a Little
Miss Sunshine, perhaps even a slightly less hipster Juno, what I found instead was a heartwarming coming of age tale
that invites us into a boy’s life for a short while, but long enough to watch
as he develops the coping skills to make it as an adult. Anchored by a fine
performance by Liam James, the young Duncan must deal with a potential
stepfather who views him as an opponent for his mother’s love and a shy nature
that allows girls his age to taunt him with rumors of incest. Even his only
mode of escape is a pink bike that has seen better days.
Perhaps the finest work by actors in TWWB would be the duo
of Collette and Allison Janney, here playing a mom incapable of making the
right decision. The two actresses play their roles from exact opposites of the
spectrum, with Collette all quiet and loving to those around her, and Janney
searching for the inch of scenery that she has yet to chew. The two weirdly
counteract each other and bring the best out of the other in each scene they
appear in together.
Faxon and Rash have made quite the auspicious debut behind
the camera here, as they battle the remnants of the summer shoot-em-up season
for a spot near the top of the box office charts this weekend. Regardless of
where the film ends up on Sunday night, I already know there is a place waiting
for it on my year-end Best of 2013 list.